Additional Scenes and Outtakes Theatrical Trailer

Audio Commentary With J.J. Abrams|Deleted Scenes|Foley: A Sonic Tale|Sounds Of The Resistance|Dressing The Galaxy|Inside The Armory|The Scavenger & The Stormtrooper: A Conversation With Daisy Ridley And John Boyega|Secrets Of The Force Awakens: A Cinematic Journey|Force For Change|The Story Awakens: The Table Read|Building BB-8|Crafting Creatures|Blueprint Of A Battle: The Snow Fight|John Williams: The Seventh Symphony|ILM: The Visual Magic Of The Force

Wolverine, fan favorite of the X-Men universe in both comic books and film, gets his own movie vehicle with X-Men Origins: Wolverine, a tale that reaches way, way back into the hairy mutant's story. Somewhere in the wilds of northwest Canada in the early 1800s, two boys grow up amid violence: half-brothers with very special powers. Eventually they will become the near-indestructible warriors (and victims of a super-secret government program) known as Wolverine and Sabretooth, played respectively by Hugh Jackman (returning to his role) and Liev Schreiber (new to the scene). It helps enormously to have Schreiber, an actor of brawny skills, as the showiest villain; the guy can put genuine menace into a vocal inflection or a shift of the eyes. Danny Huston is the sinister government operative whose experiments keep pullin' Wolverine back in, Lynn Collins is the woman who shares a peaceful Canadian co-existence with our hero when he tries to drop out of the program, and Ryan Reynolds adds needed humor, at least for a while. The fast-paced early reels give an entertaining kick-off to the Wolverine saga, only to slow down when a proper plot must be put together—but isn't that perpetually the problem with origin stories? And despite a cool setting, the grand finale is a little hemmed in by certain plot essentials that must be in place for the sequels, which may be why characters do nonsensical things. So, this one is fun while it lasts, if you're not looking for a masterpiece, or an explanation for Wolverine's facial grooming. —Robert Horton

Previously Enjoyed & Fully Guaranteed

UNITED WE STAND, DIVIDED WE FALL — THE MAKING OF CAPTAIN AMERICA: CIVIL WAR — PART 1 & PART 2 — From skinny volunteer to backbone of Earth's Mightiest Heroes, chart Captain America's journey through every decisive moment in the Marvel Cinematic Universe in this complete behind-the-scenes look at a landmark in the Marvel saga|CAPTAIN AMERICA: THE ROAD TO CIVIL WAR — Explore the First Avenger's fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority|IRON MAN: THE ROAD TO CIVIL WAR — Tony Stark's path has been no less epic or transformative than that of his friend and ally, Steve Rogers|OPEN YOUR MIND: MARVEL'S DOCTOR STRANGE — EXCLUSIVE SNEAK PEEK — Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen|AUDIO COMMENTARY — With Directors Anthony and Joe Russo and the screenwriters|GAG REEL|DELETED & EXTENDED SCENES

Plus de 25 minutes de bonus : Les malaises de Martin, Les beaux petits malaises, Les bloopers

DVD incluant l'épisode Les Beaux Noëls et Les Beaux Bloopers + un aperçu de la saison 3

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted—hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) —Jim Emerson

On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A History of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. —Jeff Shannon

It stands to reason that there must be something pretty dastardly about the target of the assassination plot that makes up Takashi Miike's 13 Assassins; after all, an enormous amount of energy and planning goes into this effort. And hoo boy, have we got a dastardly villain for you: Japanese feudal lord Naritsugu (Goro Inagaki), the demented half-brother of the emperor. His taste for perversity results in a few early scenes that will test the gag reflex of unprepared viewers (and let fans of Miike know that the director of Audition still has his gonzo streak, even if the rest of the movie is conventional by his standards). Court councilors agree that somebody needs to take Naritsugu out, lest this madman actually ascend to power; thus a veteran samurai (Koji Yakusho, the charismatic star of Shall We Dance and Cure) is charged with assembling a team that can eliminate him. The movie spends some time on the (always sure-fire) method of picking the expert samurai who will join the mission, and then plunges headlong into an epic battle sequence. 13 Assassins delivers on the spectacle, as Naritsugu has 200 soldiers at his side, so the destruction of an entire small town is called for in the final throwdown. Miike is an adept field marshal, and the movie has plenty of crazy-go-nuts moments (as well as a couple of borderline-mystical puzzlers), but he also takes the time to explore the delicacies of the samurai code: in particular, Naritsugu's chief of security (Masachika Ichimura) is as disgusted with his boss as anybody else, but must live according to the oath he swore when he took the job—an exquisite sort of self-debasement. In short, action connoisseurs will find little to fault in this big-scale samurai epic. —Robert Horton