This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. This film is exceptionally well directed by John McTiernan. —Tom Keogh

Though not as briskly exciting as the 2002 theatrical release, this earlier TV adaptation of Robert Ludlum's bestseller has distinct advantages over its big-screen counterpart. It's far more loyal to Ludlum's serpentine plot, boasts greater latitude of geography and character development (allowing Richard Chamberlain's fine performance in the title role), and rises above TV limitations to achieve a big-budget look and feel. Suffering from amnesia and forced to piece together his past as a world-class assassin, Jason Bourne (Chamberlain) enlists the aid of a Canadian economist (Jaclyn Smith), and this pairing of '80s miniseries mainstays remains consistently intelligent, well paced, and altogether respectable. Chamberlain and Smith have adequate chemistry (albeit somewhat shallow), and their dangerous adventure—and eventual romance—is played out against a dozen European locations. Incorporating more of Ludlum's interwoven subplots, this ambitious Bourne is a globetrotter's delight, with a spy-thriller identity all its own. —Jeff Shannon

Christmas is not a good time of year in the McClane family. Especially for John McClane, who always happens to be in the wrong place at the wrong time. But if it weren't for the heroics of this rugged, resourceful cop, many lives would be lost and megalomaniacal terrorists with various European accents would be having their evil way. In 1988, director John McTiernan and the phenomenal hit Die Hard introduced the world to maverick Sgt. John McClane (Bruce Willis) of the New York Police Department, and in the course of this film and two blockbuster sequels McClane was frantically saving lives, buildings, airports, schools, cities, and even his marriage from the threat of international terrorists, psychopaths, and cagey mercenaries. Now you can watch antihero McClane blast his way through all three movies. Witness his transition from a happy-go-lucky, slightly cranky cop to extremely burnt-out, partially alcoholic cop with a propensity to attract extreme violence and catastrophe. Yet the one thing that always overshadows his character flaws is his uncanny ability to spoil the schemes of stylish villains with slick names such as Hans Gruber (the nasty terrorist from the first film, played to perfection by Alan Rickman). Sit down, pop some corn, grab a bottle of Coca-Cola, and get ready to watch (in any order you please) the Die Hard Trilogy—a must for any action buff or fan of Bruce Willis, who owes his film career to the enduring appeal of these global box-office hits. —Jeremy Storey

This intense thriller is a work of fiction with a factual basis. Aidan Quinn stars as Annibal Ramirez, an American naval officer with a striking resemblance to real-life international terrorist Carlos "the Jackal" Sanchez, the scourge of innocent people all over the world in the 1970s and '80s. Mistaken for Sanchez by the Israeli Mossad, Ramirez is arrested but subsequently recruited by the Mossad and the CIA to pose as Sanchez and set him up as a traitor to his underwriters. Ramirez leaves his family, receives training in all aspects of Sanchez's life, and is pulled into the netherworld of terrorism and espionage. Director Christian Duguay (Screamers) wisely emphasizes character growth over obligatory action, drawing compelling portraits of an American intelligence official (Donald Sutherland) preoccupied with Sanchez, his Israeli counterpart (Ben Kingsley), and Ramirez himself, a man whose identity has merged with a monster's. —Tom Keogh